Friday, 13 February 2026

What’s on my radar: when a cover makes me preorder

From Little Red Death by Alexandra Benedict to wider trends in fiction design, this post explores why book covers still influence what we read, share and preorder.
There is a very particular thrill to a cover reveal. I know there is for me. It is such a delicious moment. 

It is not the algorithmic sort of thrill, not the flash-sale urgency of consumer culture, but that quieter jolt. The moment you see a cover and think, I don’t know what this is yet, but I want to live inside it. I admit I do sometimes (not always) judge a book by its cover. I do not feel guilty for doing so.

Tuesday, 10 February 2026

20 UK literary agents you can submit your novel to right now

A calm, realistic guide to finding a literary agent in the UK, with five clear steps for debut fiction writers navigating the submission process. Navigating the UK literary agent scene can feel opaque, but it helps to know who’s out there. 

This isn’t a definitive list, but these are twenty respected, active agents known for championing strong literary and commercial fiction.

Saturday, 7 February 2026

After Lonesome Dove: why Cormac McCarthy’s Border Trilogy is the Western to read next

Loved Lonesome Dove? Skip the sequels and discover why Cormac McCarthy’s Border Trilogy is the modern literary Western readers should turn to next.
For many readers, Lonesome Dove is not simply a favourite novel but a defining one. It leaves such an indelible impression. 

It certainly did for me. It arrives with deceptive ease, settles in slowly, and leaves behind the feeling of having lived another life. Its greatness lies not only in its characters, vast landscape and epic scope, but also in its sense of finality. It says what it needs to say, fully and generously.

Which is precisely why it is best left alone.