It’s a campus novel, a murder mystery, a character study, and a cult classic all in one — and it’s particularly resonant for a generation obsessed with aesthetics, identity, and the allure of darkness.
So what makes The Secret History so enduring?
It’s a campus novel, a murder mystery, a character study, and a cult classic all in one — and it’s particularly resonant for a generation obsessed with aesthetics, identity, and the allure of darkness.
So what makes The Secret History so enduring?
Last time I wrote about what the Great American Novel is, where it came from and whether it was still needed or even possible.
An important qualifying factor is that it is not only about literary brilliance. It’s more than that. It’s about resonance. The novels below reflect the American psyche, telling us who we are, who we were, and sometimes who we want to be.
It is so evocative, and carries such weight. It's more than a slogan — it signals ambition, scope, and the desire to say something profound about the American experience. But what exactly is it? Where did the term come from? Why do writers still chase it and why are we still talking about it.
The Chicago Sun-Times published a feature recommending new books for summer 2025. Just five of the 15 titles were real. Ray Bradbury wrote Dandelion Wine, Jess Walter penned Beautiful Ruins and Françoise Sagan Bonjour Tristesse.
The rest? Pure fiction. Literally. Titles like Tidewater Dreams by Isabel Allende (which she never wrote) and The Rainmakers by Pulitzer-winner Percival Everett (also fake) were invented by AI and published as if they were real.
His influence on modern writing is unparalleled. He revolutionised the short story, made dialogue sharper and more lifelike, and proved that what you leave out is just as important as what you put in.
That’s why, if you are not already, you should be reading him. If you’re unsure where to begin or have questions, continue reading.
He gave us slackers before they were memeable, office ennui before The Office, and a sense that we were all increasingly plugged in and alienated.
He was prolific for many years, publishing thirteen novels between 1991 and 2013—six of them in his first ten years.
But it’s now been more than a decade since his last novel, Worst. Person. Ever. It was published in 2013. So… what happened?