Showing posts with label Truman Capote. Show all posts
Showing posts with label Truman Capote. Show all posts

Sunday, 23 August 2026

Can a writer ever get out of the way? Norman Mailer, The Executioner’s Song and what happened after In Cold Blood


After Truman Capote turned murder into literature in In Cold Blood, Norman Mailer tried something different. The Executioner’s Song asks whether a writer can ever truly step aside and let reality speak for itself.
Truman Capote had a problem. He was too good a writer.

In In Cold Blood, Capote took the murder of the Clutter family in Kansas and transformed it into literature. He created suspense, reconstructed conversations, moved between perspectives and, most troublingly, made us understand Perry Smith. 

Capote removed himself from the book, but he was everywhere in its choices. He decided where we looked, what we knew and when we knew it.

So after writing about In Cold Blood, I was left with another question. What happens if the writer tries to get out of the way?

Thirteen years after Capote's book appeared, Norman Mailer offered an answer. Sort of.

Sunday, 16 August 2026

Can you trust Truman Capote? In Cold Blood, true crime and what happens when murder becomes literature

Why does Truman Capote’s In Cold Blood still matter? A look at the true crime classic, its disputed truth, ethical questions and troubling legacy.
A little while ago, I asked a question that probably isn't advisable for somebody who spends quite a lot of time writing about other people.

Can you ever really trust a writer? Rachel Cusk's Life of M got me thinking about it. Joan Didion provided the warning. And Truman Capote wandered briefly into the argument, having spectacularly demonstrated what can happen when a writer's friends discover that the funny little man at their dinner table has been paying considerably more attention than they realised.

Sunday, 9 August 2026

Can you ever really trust a writer? Rachel Cusk, Natalie Portman and the dangerous business of becoming somebody’s material

Does Rachel Cusk’s Life of M draw on Natalie Portman? From Truman Capote to Knausgård, what happens when writers turn real people into material?
In the preface to Slouching Towards Bethlehem, Joan Didion leaves us with a warning.

'Writers are always selling somebody out.'

It is a wonderfully typical Didion sentence. It's cold, precise and just self-aware enough to make the betrayal sound almost professional.

Thursday, 12 June 2025

From Sylvia Plath to The Smiths: The ultimate bookish playlist


If you're like me, and you love books and music, you probably get the same unique thrill in hearing a favourite book or author woven into a song lyric. It's like a secret handshake between readers and musicians. Whether it’s a simple name-drop or a full-on homage, these songs remind us that the worlds of music and literature are always in conversation. 

Here are twenty-two songs that celebrate books and writers, featuring artists such as Kate Bush, Vampire Weekend, Nirvana, Radiohead, the Smiths, and Black Star.