Sunday, 29 March 2026

What makes a distinctive sentence?

A conversational craft essay on what makes a distinctive sentence in fiction, with close examples from great writers and recommended reads woven into the discussion.
There are some writers I can recognise within a paragraph. Occasionally within a line.

Not because they repeat themselves, and not because they are full of obvious flourishes, but because their sentences carry a particular pressure, rhythm, and intelligence. A distinctive sentence is not just decorative. It reveals how a writer sees.

Tuesday, 24 March 2026

The comfort reread, and what it says about your life right now

Open novel with a bookmark and a mug of tea on a soft blanket, suggesting a cosy reread.
I have a small, slightly embarrassing ritual. When I can’t decide what to read next, I reread something I already know. Sometimes it is one chapter. Sometimes it is the whole book, like slipping into a familiar coat that still fits even if I have changed shape in the meantime.

This is the point where the productive part of my brain tries to intervene. You could be reading something new, it hisses. You could be expanding your horizons. You could be… achieving.

Friday, 20 March 2026

Why the literary middle is disappearing, and what it means for readers

A conversational look at the disappearing literary middle, why midlist fiction matters, and the books that still prove thoughtful, ambitious novels can find devoted readers.
There is a particular kind of book I worry about more and more. It is not the huge publishing event novel with a six-figure campaign and a table display in every bookshop.

 It is not the aggressively marketable thriller, nor the prestige title already carrying prize buzz before most readers have turned page one. It is the intelligent, well-written, emotionally exact novel that sits somewhere in between.

Wednesday, 11 March 2026

The BookTok canon is getting older, and that is not an accident

BookTok’s favourite books are getting older. Here’s why backlist doorstops keep trending, what an algorithmic “canon” really means, and which older novels read like today’s trends.
There is a particular kind of TikTok video that makes me laugh and then immediately makes me suspicious. You know the one. Someone holds up a book that looks like it could do structural work in a small house, says they were “not prepared”, and then cuts to a string of reactions that suggest the novel has personally rearranged their internal organs.

Sometimes it is a brand new release. Increasingly, it is not.

Saturday, 7 March 2026

Reading slumps are not a personal failing

Reading slumps happen to everyone. Learn the common slump types, a simple reset plan, and a list of tiny books that count, so you can rebuild momentum without guilt.
A reading slump has a particular way of messing with your self-image. It is not just that you are not reading. It is that you feel like you are no longer the kind of person who reads.

Which is dramatic, yes. But also understandable, because reading is not just a hobby. For many of us it is a coping mechanism, a joy, an identity, a private home we carry around.

So when the door won’t open, it can feel like something has gone wrong with you.

Wednesday, 4 March 2026

The book hangover, and how to live with it

Closed book on a bedside table with a soft lamplight glow, suggesting the after-feeling of a finished story.
There should be a better word for the feeling you get after finishing a brilliant book. “Book hangover” is the closest we have, but it is slightly too jokey for something that can feel genuinely destabilising.

It is that hollow, floaty sensation. The strange silence. The way you keep thinking about characters like they are people you used to know. The way every other book looks faintly irrelevant, like trying to date too soon after a heartbreak.