The comfort of unlikeable characters and why we do not need to like who we read about

There is a particular kind of discomfort that comes from spending time with characters you do not especially like. They make poor decisions. They frustrate. They resist redemption. They say the wrong thing, choose the wrong person, protect themselves when they should reach out, or pursue what they want with a moral flexibility that makes you shift slightly in your seat.

And yet, more often than we might admit, they are the ones who linger. I can think of so many books that are true of this, and we always reach for them.

The return of the reader as tastemaker

For years, literary taste was often imagined as something that travelled downwards. Review sections, prize lists, critics, established media, and publishing gatekeepers shaped the conversation, and readers received it. That version was never entirely true, but it held enough power to feel convincing.

Now the flow looks messier, faster, and far more interesting.

Readers are not just participating in book culture. They are actively shaping it. In many cases, they are driving it.

When books become screen dreams: adaptations that make us reread

There is a particular moment that happens when a beloved book is announced for adaptation.

Excitement flickers. Then dread. Then the quiet, possessive thought: please do not ruin this.

What writers can learn from pop stars

It might sound a little unexpected to set Dua Lipa and Helen Garner on the same page, yet both demonstrate something fundamental: how to build a voice. 

Garner paints scenes with sharp observational detail, sunlight catching on chipped teacups, the quiet despair in a suburban living room. Lipa delivers lyric hooks that lodge themselves in your bloodstream. They're instant and irresistible. Both are storytellers.

Where to start with Martin Amis: The style, satire and the savage beauty of language

With writers you grew up reading, their departure leaves a space in your life that is as close to an ache as books and literature can get. That’s how I feel about Martin Amis.

Amis, who died in 2023 at the age of 73 from cancer, was one of Britain’s most distinctive and dazzling literary voices. The son of Kingsley Amis, author of Lucky Jim, he forged his own reputation as a bold stylist and razor-sharp satirist, chronicling the absurdities and moral disintegration of late 20th-century life with wit, intellect and a signature swagger.

Whatever happened to Douglas Coupland?

Douglas Coupland’s novel Generation X didn’t just name a demographic—it captured a mindset. His fiction defined the detached, drifting, hyper-aware sensibility of 1990s youth culture. Generation X was also published 34 years ago. 

He gave us slackers before they were memeable, office ennui before The Office, and a sense that we were all increasingly plugged in and alienated. 

He was prolific for many years, publishing thirteen novels between 1991 and 2013—six of them in his first ten years.

But it’s now been more than a decade since his last novel, Worst. Person. Ever. It was published in 2013. So… what happened?