Showing posts with label Virginia Woolf. Show all posts
Showing posts with label Virginia Woolf. Show all posts

Sunday, 29 March 2026

What makes a distinctive sentence?

A conversational craft essay on what makes a distinctive sentence in fiction, with close examples from great writers and recommended reads woven into the discussion.
There are some writers I can recognise within a paragraph. Occasionally within a line.

Not because they repeat themselves, and not because they are full of obvious flourishes, but because their sentences carry a particular pressure, rhythm, and intelligence. A distinctive sentence is not just decorative. It reveals how a writer sees.

Friday, 27 February 2026

The setting as a character, and why the places in some novels stay with you

Some books leave you missing a place more than a plot. A craft-meets-reading-life look at how writers build inhabited settings through sensory detail, social texture, and the politics of place.
Some books leave you with a plot. Others leave you with a place.

You finish the last page and realise what you miss most is not the twist or the romance or even the protagonist. It is the street, the house, the river, the city at dusk. The particular kind of light that only exists in that fictional world.

Wednesday, 19 November 2025

Why does every bestseller sound the same? A mini manifesto against beige prose

Why bestselling fiction is starting to sound the same
Pick up any recent bestseller and you’ll notice it. The prose is clean. Efficient. Emotionally calibrated within an inch of its life. And, yet, somehow, utterly indistinct.

This is beige prose, smooth, flavourless, and engineered for mass readability. It’s not bad writing, exactly. In fact, that’s the problem. It’s technically correct, but soulfully inert. A style that’s been edited within an inch of meaning. Every sentence feels like it’s been test-marketed, stripped of friction, and dunked in lukewarm relatability.

Monday, 24 February 2025

Publication of Joan Didion’s journal creates an ethical literary dilemma

Joan Didion has been a monumental influence on countless writers, including myself. Her works, from Slouching Towards Bethlehem to The Year of Magical Thinking, have profoundly shaped modern literature.

Anything new by her is a major literary event. So, the recent announcement of the posthumous publication of her personal journal, Notes to John, has ignited a significant ethical debate within the literary world.

Yes, it is exciting to see Didion's unpublished work, but is it right to publish her personal journals? Especially those detailing conversations with her psychiatrist?

Monday, 17 February 2025

How to nail the crucial first five pages of your novel



I recently wrote about books that can help with style and craft when writing your novel, and now I want to look at those crucial first five pages. 

When it comes to capturing the attention of a literary agent, these opening pages are make-or-break territory. 

Saturday, 1 February 2025

Stream-of-consciousness in novel writing: what it is and why it matters


Stream-of-consciousness writing has always fascinated me when it comes to writing novels. It can
 dive into the intricate flow of thoughts and emotions that feel unique and personal. 

Stream-of-consciousness might initially sound daunting and a bit trippy, but anyone can experiment with it.