Minor works, major joy: Why we should read authors’ lesser-known texts

Not every literary treasure announces itself with a full-page review or a Booker Prize shortlist. Some arrive quietly, tucked into the back of collected editions or discovered decades after their author’s death.

These are the misfit texts: the ghost stories, experimental fragments, and one-off essays that never quite made it into the canon but hold a strange power all their own. They’re small, sometimes imperfect, but full of clues. In them, we catch glimpses of writers unguarded, playful, or restless, working things out before the world was watching.

Unfinished business: the allure of the incomplete novel

There’s something magnetic about the unfinished novel. These are books that gesture towards a whole, yet never quite arrive. They end mid-thought, mid-sentence, or mid-dream. 

And rather than leaving us cold, they pull us in. Think of Kafka’s The Castle, Sylvia Plath’s Double Exposure, or David Foster Wallace’s The Pale King. Each offers a kind of literary excavation site. We don’t simply read, we speculate, sift, and imagine.

Hidden Pages: Graham Greene and the joy of literary discoveries

I love a literary discovery like the newly found short story by Graham Greene, Reading at Night. It adds an intriguing footnote to a major literary life. Published in Strand Magazine, the piece is a ghost story of sorts—spare, eerie, and lightly comic. It’s a small thing, a curiosity, but it opens up new angles on Greene’s creative instincts.

From Sylvia Plath to The Smiths: The ultimate bookish playlist

If you're like me, and you love books and music, you probably get the same unique thrill in hearing a favourite book or author woven into a song lyric. It's like a secret handshake between readers and musicians. Whether it’s a simple name-drop or a full-on homage, these songs remind us that the worlds of music and literature are always in conversation. 

Here are twenty-two songs that celebrate books and writers, featuring artists such as Kate Bush, Vampire Weekend, Nirvana, Radiohead, the Smiths, and Black Star.

Publication of Joan Didion’s journal creates an ethical literary dilemma

Joan Didion has been a monumental influence on countless writers, including myself. Her works, from Slouching Towards Bethlehem to The Year of Magical Thinking, have profoundly shaped modern literature.

Anything new by her is a major literary event. So, the recent announcement of the posthumous publication of her personal journal, Notes to John, has ignited a significant ethical debate within the literary world.

Yes, it is exciting to see Didion's unpublished work, but is it right to publish her personal journals? Especially those detailing conversations with her psychiatrist?