Friday, 25 April 2025

If you liked The Secret History, you’ll love these five dark, literary campus novels

If you’re anything like me, finishing The Secret History leaves a strange kind of void. Donna Tartt’s literary debut is one of those once-in-a-decade novels: intellectually rich, psychologically intense, and impossible to put down. 

Five books to read if you loved The Secret History by Donna Tartt
It’s a story steeped in atmosphere, with characters who linger in your mind and a setting that feels like it exists outside of time. If you’re looking for books matching that experience, I’ve rounded up five novels that channel similar dark academia energy, moral complexity, and obsession-fuelled tension.

Sunday, 20 April 2025

How to write your novel in three drafts: the method that keeps you moving forward

Writing a novel can feel overwhelming, especially when you’re trying to perfect every page as you go. But what if you didn’t have to get it right the first time? What if, instead, you focused on getting it down, shaping it later, and only polishing once the story is in place?

That’s the power of the three-draft method — an approach popularised by Matt Bell in his excellent craft book Refuse to Be Done: How to Write and Rewrite a Novel in Three Drafts. At its heart, this method gives writers structure, clarity and, perhaps most importantly, permission to keep going when things feel messy.

Here's how it works:

Wednesday, 16 April 2025

The writing struggle is real: how to beat procrastination and get the words down


Revising this latest book has been tough – and that’s with an outline. The story is there, the chapters mapped out, but the act of sitting down and actually doing it? That’s the hard part.

I’ve always found that writing doesn’t get easier just because you know what comes next. 

Monday, 7 April 2025

When to break the rules of writing: how and why to Experiment


There’s a point in every writer’s journey when you realise the rules, the ones you've been diligently following, are not commandments but conventions. They're guidelines. Or handrails. Ideas that work brilliantly until they don’t. And sometimes, the best writing happens when you break them.

This isn’t a green light for chaos. You have to know the rules before you break them. You have to understand how rhythm works before you fragment a sentence. You need to learn what a story arc is before you bend it, or break it. But once you do, experimentation can lead to extraordinary storytelling.

So when should you consider breaking the rules? And how can you do it well? Luckily there are loads of great examples. 

Tuesday, 1 April 2025

The incredible shrinking novel: why short fiction is having a big moment


In a world of content overload, time-poor readers are gravitating toward something they can actually finish: short novels. Once the preserve of indie publishers and experimental authors, the slim literary novel is now front and centre, scooping prizes, going viral on BookTok, and dominating bookshop displays.

From Claire Keegan's Small Things Like These to Samantha Harvey's Orbital, these compact works of fiction pack a punch around 200 pages. No filler. No indulgent middle act. Just distilled intensity, executed with precision. 

Saturday, 22 March 2025

The 'by zombies' test: how to spot (and fix) passive voice in your writing



Ever feel like some of your sentences were written by zombies? If your writing sounds a bit lifeless or unclear, you might be falling into the passive voice trap. This post explores a fun trick called the 'by zombies' test – a simple way to spot passive voice – and explains why switching to active voice can bring your prose back to life. That’s why it matters so much in fiction and journalism, and why so many writers have something to say about it.

Tuesday, 18 March 2025

The second draft survival guide: 10 tips on editing your novel

Completing the first draft of your novel is a major achievement to celebrate. You’re already in the top 3% (97% of people who start writing books and never finish). 

But the journey to a polished manuscript has only just begun. Now comes the editing and your next two to three drafts.

According to Deborah Levy, author of Hot Milk and The Cost of Living: "Editing is the most wonderful part of writing. It begins to roar in the edit." Embracing the editing process is crucial to transforming your initial draft into a compelling narrative that will grab the attention of literary agents and book editors.

These ten tips are ones I’ve always found helpful after that crucial first draft is done.