It’s a campus novel, a murder mystery, a character study, and a cult classic all in one — and it’s particularly resonant for a generation obsessed with aesthetics, identity, and the allure of darkness.
So what makes The Secret History so enduring?
Tangled Prose is your bookish fix – from viral reads to cult classics. News, reviews, trends, and takes. Old favourites, and new finds. Always books.
It’s a campus novel, a murder mystery, a character study, and a cult classic all in one — and it’s particularly resonant for a generation obsessed with aesthetics, identity, and the allure of darkness.
So what makes The Secret History so enduring?
Last time I wrote about what the Great American Novel is, where it came from and whether it was still needed or even possible.
An important qualifying factor is that it is not only about literary brilliance. It’s more than that. It’s about resonance. The novels below reflect the American psyche, telling us who we are, who we were, and sometimes who we want to be.
It is so evocative, and carries such weight. It's more than a slogan — it signals ambition, scope, and the desire to say something profound about the American experience. But what exactly is it? Where did the term come from? Why do writers still chase it and why are we still talking about it.
The Chicago Sun-Times published a feature recommending new books for summer 2025. Just five of the 15 titles were real. Ray Bradbury wrote Dandelion Wine, Jess Walter penned Beautiful Ruins and Françoise Sagan Bonjour Tristesse.
The rest? Pure fiction. Literally. Titles like Tidewater Dreams by Isabel Allende (which she never wrote) and The Rainmakers by Pulitzer-winner Percival Everett (also fake) were invented by AI and published as if they were real.
His influence on modern writing is unparalleled. He revolutionised the short story, made dialogue sharper and more lifelike, and proved that what you leave out is just as important as what you put in.
That’s why, if you are not already, you should be reading him. If you’re unsure where to begin or have questions, continue reading.
He gave us slackers before they were memeable, office ennui before The Office, and a sense that we were all increasingly plugged in and alienated.
He was prolific for many years, publishing thirteen novels between 1991 and 2013—six of them in his first ten years.
But it’s now been more than a decade since his last novel, Worst. Person. Ever. It was published in 2013. So… what happened?
She helped shape the New Journalism movement in the 1960s, bringing a personal, literary sensibility to reportage. She created some of the most arresting portraits of American life in the second half of the twentieth century.
Writing a novel can feel overwhelming, especially when you’re trying to perfect every page as you go. But what if you didn’t have to get it right the first time? What if, instead, you focused on getting it down, shaping it later, and only polishing once the story is in place?
That’s the power of the three-draft method — an approach popularised by Matt Bell in his excellent craft book Refuse to Be Done: How to Write and Rewrite a Novel in Three Drafts. At its heart, this method gives writers structure, clarity and, perhaps most importantly, permission to keep going when things feel messy.
Here's how it works:
I’ve always found that writing doesn’t get easier just because you know what comes next.
This isn’t a green light for chaos. You have to know the rules before you break them. You have to understand how rhythm works before you fragment a sentence. You need to learn what a story arc is before you bend it, or break it. But once you do, experimentation can lead to extraordinary storytelling.
So when should you consider breaking the rules? And how can you do it well? Luckily there are loads of great examples.
From Claire Keegan's Small Things Like These to Samantha Harvey's Orbital, these compact works of fiction pack a punch around 200 pages. No filler. No indulgent middle act. Just distilled intensity, executed with precision.
But the journey to a polished manuscript has only just begun. Now comes the editing and your next two to three drafts.
According to Deborah Levy, author of Hot Milk and The Cost of Living: "Editing is the most wonderful part of writing. It begins to roar in the edit." Embracing the editing process is crucial to transforming your initial draft into a compelling narrative that will grab the attention of literary agents and book editors.
These ten tips are ones I’ve always found helpful after that crucial first draft is done.
Jeanette Winterson, a long-time advocate for technological innovation in storytelling, believes this shift is not something to fear but to embrace. She describes AI as “alternative intelligence”, suggesting that its ability to be other might be precisely what human writers need—pushing creative boundaries, offering new perspectives, and reimagining storytelling.
I’ve always been fascinated by this sub-literary genre, from what makes it work to why it continues to captivate readers and how it manages to be both intensely specific and universally resonant.
The best campus novels transport us to a world of intellectual ambition, youthful recklessness, and, often, profound disillusionment. They capture a moment in life where identity, relationships, and ambition collide.
But what exactly makes a great campus novel, and which books best define the ever-growing genre?
Do you need a killer opening line for your novel? Or is there an alternative way to draw readers in right from the start?
I'm slightly obsessed by the opening lines of novels, and for me, the opening line isn’t merely about crafting a flashy hook; it’s about setting the tone, sparking curiosity, and providing readers with a reason to keep turning the pages. A brilliant first sentence generates intrigue and anticipation, drawing the audience into your story before they even realise it.
Joan Didion's writing is a masterclass in precision and insight. Her distinctive style, marked by pared-down, rigorous prose, captured the nuances of American life and personal introspection. As a leading figure in the New Journalism movement of the 1960s, Didion's work blended literary flair with journalistic integrity, offering readers a profound lens through which to view the world.