Burn Bright, Burn Brief —The quiet power of short novels and why less is suddenly more

In a world of infinite scrolling and 800-page epics, something strange is happening, books are shrinking. 

Not in value or complexity, but in size. Novels under 200 pages, long confined to indie presses or experimental shelves, are quietly becoming bestsellers. They’re winning awards. They’re getting second printings. And perhaps most telling of all, readers are finishing them.

The Literary Brat Pack and the birth of 1980s Manhattan Cool

For anyone craving an 80s mood board turned dark, literary statement, you’ve arrived at the right place. Step into 1980s Manhattan, when the city throbbed with neon lights, fast cars, and faster lifestyles, and the emergence of the so-called “Literary Brat Pack”.

Led by Bret Easton Ellis, Jay McInerney, and Tama Janowitz, this trio of young writers provided a fresh, glossy glimpse of urban excess. But beneath the designer clothing and drug-fuelled nights, there was something more: a generational manifesto hidden behind chic minimalism.

Grief, grammar, and the Didion sentence: Rereading The Year of Magical Thinking

For me, few books confront grief with the unflinching clarity of Joan Didion's The Year of Magical Thinking. It is one of my favourite of Didion books and I reread it recently. 

Didion wrote it in the aftermath of her husband’s sudden death; it isn’t a memoir of healing so much as a dissection of loss, precise, restrained, devastating. 

Why the Classics still cast a spell: reading backwards in the age of the algorithm

Browse through the bookish corners of Instagram or TikTok, and you’ll encounter a familiar pattern: glossy covers, rapid emotional claims, and an endless stream of “must-reads” that promise devastation, catharsis, or shocking twists. 

It sometimes feels that the language of the algorithm values sensation over subtlety. Amid this noisy chorus, the quiet, deliberate appeal of the classics becomes harder to hear, yet more essential than ever. It is the reason that we return to them. And while some say it's about nostalgia. It isn't that at all.

Bookworm summer: Reading as stylish rebellion

Move over, Brat Summer. The era of ironic chaos and glam messiness is giving way for something quieter, more cerebral, and, dare we say it, more enchanting. Welcome to Bookworm Summer, where reading isn’t just cool again; it’s the season’s most coveted accessory.

From Dior’s limited-edition Dracula book tote to Dua Lipa’s Instagram book club and Kaia Gerber’s annotated paperbacks, literary flair is everywhere. Celebrities aren’t just posting reading lists for show; these curated collections have become a way to express identity, mood, and even political consciousness.

Why Mansfield Park deserves your attention in Austen’s anniversary year

 In the book world, you cannot have missed it. It’s 2025, and it’s Jane Austen’s year — the 250th anniversary of her birth. So, it's natural that readers will return to the classics: Pride and Prejudice, Emma, Sense and Sensibility. They sparkle with wit, romantic tension, and iconic heroines — the ones we recommend, adapt, reread, and lovingly quote. But in this anniversary year, I want to make a quieter, more subversive suggestion:

Read Mansfield Park.

Packing lists and California cool: How Joan Didion made the personal iconic

Before minimalism was a hashtag or lifestyle trend, Joan Didion was living it with elegance and intent. Her now-famous packing list, tucked into The White Album, has become a cultural artefact in its own right—a snapshot of a writer whose personal style was as deliberate as her prose.

Is "Performative Reading" really so awkward?

It’s the quietest rebellion of 2025: the reader with a paperback in a coffee shop, a hardcover in hand on the train, a thick novel laid gently on a park bench. Yet according to a recent piece in The Guardian, even this small, once-innocent gesture, reading in public, is now tinged with suspicion. At least reading certain kinds of books is. So, the question is, are we reading, or are we performing?

Why romantasy is the book genre Gen Z can't stop talking about

Once upon a time, fantasy and romance lived in separate kingdoms. One was filled with dragons and quests; the other, with yearning glances and whispered confessions. Now? They’ve merged into a new, single, soaring genre known as "romantasy," and it's captivating Gen Z readers like few others.

Its influence is being felt throughout the publishing industry. I recently discussed this with a friend. He's a crime writer and is thinking about how he can weave elements into a new series. 

It's not hard to see why. In a world that feels increasingly uncertain, romantasy offers emotional intensity and escape in equal measure. With sweeping magical worlds and high-stakes love stories, it's a genre that doesn't ask readers to choose between action and intimacy. Instead, it says: have both.

Short stories, big hearts: ten collections worth reading

Sometimes, when you’re reading, you want to dip in and out. To read a story from start to finish, savouring the words and the rhythm of the story. There’s something deeply satisfying about finishing a tale in one sitting, especially when it lingers like perfume on skin. Short stories, at their best, are emotional distillations. They open small doors to large truths, inviting empathy, surprise, and sometimes awe. Here are ten collections that do just that.

From Memoir meltdown to dystopian excess: Jame Frey returns with a roar

Like a lot of people, I read A Million Little Pieces when it came out. I read it quickly, swept up by its manic rhythm and gut-punching candour. It felt raw, painful, and honest. 

Then came the controversy: the revelations that much of the book, which had been marketed as a memoir, had been fabricated, culminating in a televised public shaming by Oprah Winfrey in 2006. It wasn’t a memoir at all. More of a novel memoir mashup. A novior, if you like.

It was a moment that seemed to draw a line under Frey's literary future, banishing him to the margins of credibility. He was cancelled.

How Glasgow Boys reinvents the coming-of-age novel in Scots

When Margaret McDonald, at just twenty-seven, became the youngest-ever winner of the Carnegie Medal for Glasgow Boys, it felt like more than a milestone. 

It was a reminder that the future of children’s fiction lies not just in big ideas, but in the pulse of regional voices, stories told in our own tongue, rooted in place and people.

McDonald’s novel does exactly that. It is both tender and raw, steeped in Scots dialect, wrestling with the myths of masculinity, brotherhood and belonging. Banjo’s voice catches you from the very first pages, and you just want to keep turning.